The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. He was born in to Roman Catholic parents, when practicing that religion was illegal in England. His work is distinguished by its emotional and sonic intensity and its capacity to plumb the paradoxes of faith, human and divine love, and the possibility of salvation. For some 30 years after his death successive editions of his verse stamped his powerful influence upon English poets. During the Restoration his writing went out of fashion and remained so for several centuries. Throughout the 18th century, and for much of the 19th century, he was little read and scarcely appreciated.
Holy Sonnets: Batter my heart, three-person'd God
File:Pittore di pisticci, pelike, donne ed eros, ac hmsminerva.info - Wikimedia Commons
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Written while Donne was a student at Lincoln's Inn , the poem is one of his earliest works and is thematically considered to be the "first" work in Songs and Sonnets. Although referred to as a sonnet , the work does not follow the most common rhyming scheme of such works—a line poem, consisting of an eight-line stanza followed by a six-line conclusion—but is instead 21 lines long, divided into three stanzas. The lover's musings move from discussing sensual love to spiritual love as he realises that, with spiritual love, the couple are liberated from fear and the need to seek adventure. The poem makes use of biblical and Catholic writings, indirectly referencing the legend of the Seven Sleepers and Paul the Apostle 's description of divine, agapic love — two concepts with which, as a practising Catholic, Donne would have been familiar. Donne's cartographic references in the third stanza have been the subject of much analysis, although academics have differed in their interpretation of their meaning and what the lines reference.
George Herbert , the 17th-century poet and parson, is notable for having written almost only sacred poems, about his experience of God rather than that of other people. This meant that he evoked the range of human love, from sacred to profane. But it also made him, perhaps unwittingly, a master of erotic poetry. This is not something of which the churchman is often accused. But erotic love is everywhere in The Temple , the unspoken drive behind many other loves in the poems and, in the end, their impossible fulfillment.